Nationalizing Blackness Afrocubanismo and Artistic Revolution in Havana, 1920-1940
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Auteur:
Moore
- Engels
- Paperback
- 9780822956457
- 17 december 1997
- 336 pagina's
Samenvatting
Nationalizing Blackness represents one of the first politicized studies of twentieth-century culture in Cuba. It demonstrates how music can function as the center of racial and cultural conflict during the formation of a national identity.
Nationalizing Blackness uses the music of the 1920s and 1930s to examine Cuban society as it begins to embrace Afrocuban culture. Moore examines the public debate over \u201cdegenerate Africanisms\u201d associated with comparas or carnival bands; similar controversies associated with son music; the history of blackface theater shows; the rise of afrocubanismo in the context of anti-imperialist nationalism and revolution against Gerardo Machado; the history of cabaret rumba; an overview of poetry, painting, and music inspired by Afrocuban street culture; and reactions of the black Cuban middle classes to afrocubanismo. He has collected numerous illustrations of early twentieth-century performers in Havana, many included in this book. Nationalizing Blackness represents one of the first politicized studies of twentieth-century culture in Cuba. It demonstrates how music can function as the center of racial and cultural conflict during the formation of a national identity.
Nationalizing Blackness uses the music of the 1920s and 1930s to examine Cuban society as it begins to embrace Afrocuban culture. Moore examines the public debate over \u201cdegenerate Africanisms\u201d associated with comparas or carnival bands; similar controversies associated with son music; the history of blackface theater shows; the rise of afrocubanismo in the context of anti-imperialist nationalism and revolution against Gerardo Machado; the history of cabaret rumba; an overview of poetry, painting, and music inspired by Afrocuban street culture; and reactions of the black Cuban middle classes to afrocubanismo. He has collected numerous illustrations of early twentieth-century performers in Havana, many included in this book. Nationalizing Blackness represents one of the first politicized studies of twentieth-century culture in Cuba. It demonstrates how music can function as the center of racial and cultural conflict during the formation of a national identity.
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Inhoud
- Taal
- en
- Bindwijze
- Paperback
- Oorspronkelijke releasedatum
- 17 december 1997
- Aantal pagina's
- 336
- Illustraties
- Nee
Betrokkenen
- Hoofdauteur
- Moore
- Hoofduitgeverij
- University Of Pittsburgh Press
Overige kenmerken
- Extra groot lettertype
- Nee
- Product breedte
- 171 mm
- Product lengte
- 248 mm
- Studieboek
- Nee
- Verpakking breedte
- 150 mm
- Verpakking hoogte
- 230 mm
- Verpakking lengte
- 230 mm
- Verpakkingsgewicht
- 522 g
EAN
- EAN
- 9780822956457
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- Categorieën
- Land
- Cuba
- Beschikbaarheid
- Leverbaar
- Taal
- Engels
- Periode
- ca. 1920-1939, Tweede Wereldoorlog
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